{"id":52112,"date":"2025-09-10T16:01:25","date_gmt":"2025-09-10T14:01:25","guid":{"rendered":"https:\/\/www.cercledart.com\/?post_type=product&#038;p=52112"},"modified":"2026-09-30T09:13:33","modified_gmt":"2026-09-30T07:13:33","slug":"picasso","status":"publish","type":"product","link":"https:\/\/www.cercledart.com\/en\/produit\/picasso\/","title":{"rendered":"Picasso"},"content":{"rendered":"<h2>PICASSO\uff5cCollection ART<\/h2>\n<p>Comment repr\u00e9senter un visage sous plusieurs angles ? Que devient une figure quand on la d\u00e9compose, puis qu\u2019on la reconstruit ? Et pourquoi Picasso revient-il sans cesse \u00e0 certains sujets : le peintre et son mod\u00e8le, le corps, l\u2019atelier, la guerre ? \u00c0 travers 70 \u0153uvres illustr\u00e9es, cette monographie suit les questions qui ont anim\u00e9 l\u2019artiste pendant plus de soixante-dix ans.<\/p>\n<h3>Des p\u00e9riodes bleue et rose \u00e0 la r\u00e9volution cubiste<\/h3>\n<p>Le livre s\u2019ouvre sur un jeune peintre attentif \u00e0 la vie populaire de Barcelone et de Paris. Dans les portraits m\u00e9lancoliques de la p\u00e9riode bleue, puis parmi les saltimbanques de la p\u00e9riode rose, Picasso cherche d\u00e9j\u00e0 sa propre mani\u00e8re de peindre.<br \/>\nLa rencontre avec Gertrude Stein, la d\u00e9couverte de <a href=\"https:\/\/www.cercledart.com\/produit\/cezanne\/\">C\u00e9zanne<\/a> et le dialogue avec Georges Braque acc\u00e9l\u00e8rent ses recherches. Avec <em>Les Demoiselles d\u2019Avignon<\/em>, puis les \u0153uvres cubistes, les formes \u00e9clatent, les points de vue se multiplient. Collages, papiers coll\u00e9s et assemblages prolongent cette exploration : Picasso transforme les moyens m\u00eames de la peinture et de la sculpture.<\/p>\n<h3>R\u00e9inventer la figure, regarder les ma\u00eetres<\/h3>\n<p>Apr\u00e8s la Premi\u00e8re Guerre mondiale, Picasso renoue avec le dessin classique sans abandonner les acquis du cubisme. Le rideau de sc\u00e8ne de <em>Parade<\/em>, <em>Les Trois Musiciens<\/em> ou les portraits de Marie-Th\u00e9r\u00e8se Walter et de Dora Maar r\u00e9v\u00e8lent la diversit\u00e9 de ses r\u00e9ponses \u00e0 une m\u00eame question : comment peindre une figure que l\u2019on croit conna\u00eetre ?<br \/>\nLa monographie \u00e9claire aussi son dialogue avec <a href=\"https:\/\/www.cercledart.com\/produit\/matisse\/\">Matisse<\/a> et avec les artistes du pass\u00e9. Plus tard, Picasso reprendra \u00e0 sa fa\u00e7on <em>Les Femmes d\u2019Alger<\/em> de Delacroix, <em>Le D\u00e9jeuner sur l\u2019herbe<\/em> de Manet et <em>Les M\u00e9nines<\/em> de V\u00e9lasquez. Chez lui, admirer une \u0153uvre signifie aussi la remettre en mouvement.<\/p>\n<h3>Une \u0153uvre travers\u00e9e par l\u2019histoire<\/h3>\n<p>\u00c0 mesure que les tensions politiques s\u2019aggravent dans les ann\u00e9es 1930, la violence gagne les peintures et les gravures de Picasso. Le livre revient sur <em>Guernica<\/em>, peint pendant la guerre d\u2019Espagne, et sur les \u0153uvres r\u00e9alis\u00e9es dans le Paris occup\u00e9. Il montre comment l\u2019histoire entre dans son art, parfois de mani\u00e8re directe, parfois \u00e0 travers une nature morte, un corps ou un visage.<\/p>\n<h3>La libert\u00e9 des derni\u00e8res ann\u00e9es<\/h3>\n<p>Install\u00e9 dans le sud de la France apr\u00e8s la guerre, Picasso explore la c\u00e9ramique, invente des sculptures \u00e0 partir d\u2019objets du quotidien et retrouve les figures de la mythologie m\u00e9diterran\u00e9enne. Dans ses derni\u00e8res ann\u00e9es, il peint avec une intensit\u00e9 nouvelle : mousquetaires, \u00e9treintes, ateliers et autoportraits se succ\u00e8dent jusqu\u2019\u00e0 ses ultimes confrontations avec la vieillesse et la mort.<br \/>\nDes premi\u00e8res audaces aux toiles tardives, ce volume de la collection ART offre des rep\u00e8res pour comprendre une \u0153uvre immense, mais invite surtout \u00e0 regarder de pr\u00e8s ce que Picasso change, reprend et r\u00e9invente d\u2019une image \u00e0 l\u2019autre.<\/p>\n<h3>L\u2019autrice : C\u00e9cile Debray<\/h3>\n<p>Historienne de l\u2019art et commissaire d\u2019exposition, C\u00e9cile Debray pr\u00e9side le Mus\u00e9e national Picasso-Paris depuis 2021, apr\u00e8s avoir dirig\u00e9 le mus\u00e9e de l\u2019Orangerie. Son parcours l\u2019a conduite au Centre Pompidou, au mus\u00e9e d\u2019Art moderne de Paris et \u00e0 la R\u00e9union des mus\u00e9es nationaux. Sp\u00e9cialiste de l\u2019art moderne, elle a consacr\u00e9 de nombreuses expositions et publications \u00e0 ses grandes figures. Sa connaissance de l\u2019\u0153uvre de Picasso nourrit ici une lecture attentive \u00e0 ses ruptures, \u00e0 ses dialogues avec les autres artistes et \u00e0 la libert\u00e9 de ses derni\u00e8res ann\u00e9es.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>Un livre pour parcourir l\u2019\u0153uvre de Picasso, comprendre ses ruptures et d\u00e9couvrir ce qui relie ses premi\u00e8res peintures \u00e0 ses derni\u00e8res toiles.<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p class=\"p1\">\u00c9dition fran\u00e7aise<span class=\"s1\">\uff5c\u00c0 para\u00eetre\uff5c<\/span>96 pages<span class=\"s1\">\uff5c<\/span>19 x 24 cm<span class=\"s1\">\uff5c<\/span>0,55 kg<span class=\"s1\">\uff5c<\/span>reli\u00e9 cousu cartonn\u00e9, papier de couverture textur\u00e9 marquage en creux sur la couverture<span class=\"s1\">\uff5cImprim\u00e9 en France\uff5c<\/span>9782702211519<\/p>\n","protected":false},"featured_media":53918,"template":"","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false},"product_brand":[],"product_cat":[535,688,528],"product_tag":[675],"class_list":["post-52112","product","type-product","status-publish","has-post-thumbnail","product_cat-art","product_cat-collection-art","product_cat-livres","product_tag-a-paraitre","first","instock","taxable","shipping-taxable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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