{"id":51317,"date":"2012-11-11T17:08:32","date_gmt":"2012-11-11T17:08:32","guid":{"rendered":"https:\/\/www.cercledart.com\/produit\/la-lettre\/"},"modified":"2025-05-02T13:52:08","modified_gmt":"2025-05-02T11:52:08","slug":"la-lettre","status":"publish","type":"product","link":"https:\/\/www.cercledart.com\/en\/produit\/la-lettre\/","title":{"rendered":"La lettre"},"content":{"rendered":"

1. HISTOIRE DU CARACT\u00c8RE D’IMPRIMERIE<\/strong><\/em>
\nApr\u00e8s un court rappel portant sur les origines de l’\u00e9criture, les cent premi\u00e8res pages retracent de fa\u00e7on beaucoup plus d\u00e9taill\u00e9e l’\u00e9volution des caract\u00e8res d’imprimerie depuis l’\u00e9poque des incunables jusqu’\u00e0 nos jours et \u00e9voquent l’influence des techniques de l’imprimerie sur leurs dessins. L’\u0153uvre de prestigieux graveurs ou dessinateurs-concepteurs de caract\u00e8res y est abord\u00e9e chronologiquement, en relation avec une abondante iconographie. Cette section se termine par une br\u00e8ve \u00e9vocation de l’utilisation de la lettre, pour sa forme et ind\u00e9pendamment de la signification textuelle, dans les arts du dessin, de la sculpture et de la peinture.<\/p>\n

2. TECHNOLOGIE D’UTILISATION DU CARACT\u00c8RE D’IMPRIMERIE<\/strong><\/em>
\nSans d\u00e9tailler la pratique des logiciels de traitement de texte que les op\u00e9rateurs de PAO peuvent trouver dans les manuels des fournisseurs ou acqu\u00e9rir \u00e0 l’aide d’un apprentissage appropri\u00e9, ce chapitre expose, en les d\u00e9barrassant de ce qui est devenu caduc, les principales r\u00e8gles typographiques \u00e0 observer dans l’utilisation des caract\u00e8res et d\u00e9taille les nouvelles facilit\u00e9s offertes par le traitement de texte informatis\u00e9, afin de satisfaire le plaisir de l’\u0153il, juge souverain du go\u00fbt<\/em>, pour reprendre la belle expression de Fournier-le-Jeune (graveur et novateur en mati\u00e8re d’art typographique, de la fin du XVIIe<\/sup> et du d\u00e9but du XVIIIe<\/sup> si\u00e8cles). On s’attache \u00e0 d\u00e9montrer ici que les respect de ces r\u00e8gles et la volont\u00e9 \u00e0 continuer de les faire progresser pourraient \u00eatre g\u00e9n\u00e9ralis\u00e9s dans l’int\u00e9r\u00eat des publications imprim\u00e9es, gr\u00e2ce \u00e0 la formation des personnels et sans augmentation notable de leur prix de revient.<\/p>\n

3. LE PASS\u00c9, LE PR\u00c9SENT ET L’AVENIR DU CARACT\u00c8RE D’IMPRIMERIE<\/strong><\/em>
\nLa derni\u00e8re partie relate en deux sections – l’une intitul\u00e9e L’actualit\u00e9 du patrimoine historique<\/em>, et l’autre La num\u00e9risation des caract\u00e8res d’imprimerie<\/em> – la teneur d’entretiens que les auteurs ont eus avec trois collaborateurs de l’Imprimerie Nationale : Jean-Paul Descamps, responsable du mat\u00e9riel de fonderie, Franck Jalleau, dessinateur-concepteur de caract\u00e8res num\u00e9ris\u00e9s et Christian Paput, graveur de poin\u00e7ons typographiques. Chacun d’entre eux \u00e9voque son activit\u00e9 dans la conservation vivante et l’enrichissement du patrimoine d\u00e9tenu par le prestigieux \u00e9tablissement. Exposant leur conception et l’\u00e9volution de la communication imprim\u00e9e, ils fournissent des raisons de ne pas se r\u00e9signer \u00e0 son d\u00e9clin, mais au contraire, d’utiliser toutes les potentialit\u00e9s des nouvelles techniques afin que continue de se pratiquer et de progresser la belle typographie dont les m\u00e9tiers d’origine ont disparu, mais qui peut conna\u00eetre un renouveau fond\u00e9 sur la m\u00e9moire d’une exp\u00e9rience s\u00e9culaire.<\/p>\n","protected":false},"excerpt":{"rendered":"

1. HISTOIRE DU CARACT\u00c8RE D’IMPRIMERIE Apr\u00e8s un court rappel portant sur les origines de l’\u00e9criture, les cent premi\u00e8res pages retracent de fa\u00e7on beaucoup plus d\u00e9taill\u00e9e l’\u00e9volution des caract\u00e8res d’imprimerie depuis l’\u00e9poque des incunables jusqu’\u00e0 nos jours et \u00e9voquent l’influence des techniques de l’imprimerie sur leurs dessins. L’\u0153uvre de prestigieux graveurs ou dessinateurs-concepteurs de caract\u00e8res y […]<\/p>\n","protected":false},"featured_media":4731,"template":"","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false},"product_brand":[],"product_cat":[528,546],"product_tag":[],"class_list":{"0":"post-51317","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-livres","7":"product_cat-non-categorise","10":"first","11":"outofstock","12":"taxable","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"acf":[],"yoast_head":"\nLa lettre - \u00c9ditions Cercle d'Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cercledart.com\/en\/produit\/la-lettre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La lettre - \u00c9ditions Cercle d'Art\" \/>\n<meta property=\"og:description\" content=\"1. HISTOIRE DU CARACT\u00c8RE D’IMPRIMERIE Apr\u00e8s un court rappel portant sur les origines de l’\u00e9criture, les cent premi\u00e8res pages retracent de fa\u00e7on beaucoup plus d\u00e9taill\u00e9e l’\u00e9volution des caract\u00e8res d’imprimerie depuis l’\u00e9poque des incunables jusqu’\u00e0 nos jours et \u00e9voquent l’influence des techniques de l’imprimerie sur leurs dessins. 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