{"id":51178,"date":"2012-11-11T17:08:45","date_gmt":"2012-11-11T17:08:45","guid":{"rendered":"https:\/\/www.cercledart.com\/produit\/bernard-pages\/"},"modified":"2025-05-02T13:51:36","modified_gmt":"2025-05-02T11:51:36","slug":"bernard-pages","status":"publish","type":"product","link":"https:\/\/www.cercledart.com\/en\/produit\/bernard-pages\/","title":{"rendered":"Bernard Pag\u00e8s"},"content":{"rendered":"<p>Pour Maryline Desbiolles, \u00ab <strong>Pag\u00e8s inverse le lieu commun de la sculpture, il ne retient pas le mouvement en le figeant une bonne fois pour toute, il donne du mouvement \u00e0 ce qui n&#8217;en a pas<\/strong>, tant et si bien que la pierre, le bois, le b\u00e9ton ou le fil de fer acqui\u00e8rent la fragilit\u00e9 de la chair, l&#8217;incertain du vivant. \u00bb<\/p>\n<p>La d\u00e9couverte des Nouveaux R\u00e9alistes lui permet de se doter d\u2019une plus grande libert\u00e9 de cr\u00e9ation. Il d\u00e9veloppe un travail bas\u00e9 sur des arrangements de mat\u00e9riaux, souvent pr\u00e9sent\u00e9s dans un cadre naturel. Ces \u00ab installations \u00bb des ann\u00e9es 1970 vont dans le sens de la radicalisation de la sculpture et de l\u2019abandon du socle\u00a0: l\u2019abri de jardin ou des d\u00e9clinaisons associant briques et b\u00fbches, des combinaisons de carrelages et de gravier\u2026 <strong>Ces recherches plastiques et son amiti\u00e9 avec Claude Viallat le rapprochent de jeunes artistes ayant entrepris une d\u00e9construction de la Peinture et qui pr\u00e9figurent le mouvement Support-Surface,<\/strong> mais en 1969 il refusera de participer \u00e0 l\u2019exposition fondatrice de ce groupe.<\/p>\n<p>En 1983, le Centre Pompidou lui consacre une importante exposition. Cette reconnaissance lui permet de s\u2019installer dans un vaste atelier-hangar et de renforcer son \u00e9quipement pour pouvoir travailler sur de<strong> grandes dimensions<\/strong>. Il r\u00e9alise des pi\u00e8ces de m\u00e9tal qui associent bidons et \u00ab buissons \u00bb de fer et construit des colonnes de pierre et ma\u00e7onnerie dont le processus se retrouve dans <em>La pierre \u00e0 l\u2019\u00e9peron<\/em>, command\u00e9e par l\u2019\u00c9cole des Mines d\u2019Al\u00e8s en 1993. Il installe en 1986 le <em>Cheminement de f\u00fbts 222 flowers<\/em> sur la colline du ch\u00e2teau d\u2019Edimbourg, et r\u00e9alise en 1989 la <em>Colonne 1989<\/em> de l\u2019h\u00f4tel d\u2019Albret \u00e0 Paris \u00e0 l\u2019occasion des comm\u00e9morations du Bicentenaire de la R\u00e9volution fran\u00e7aise, celle-ci participe de l\u2019architecture du lieu autant que du contexte historique.<\/p>\n<p>Ses \u0153uvres monumentales \u2013 commandes publiques ou priv\u00e9es \u2013 font \u00e9cho au paysage naturel ou urbain auxquels elles sont destin\u00e9es.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour Maryline Desbiolles, \u00ab Pag\u00e8s inverse le lieu commun de la sculpture, il ne retient pas le mouvement en le figeant une bonne fois pour toute, il donne du mouvement \u00e0 ce qui n&#8217;en a pas, tant et si bien que la pierre, le bois, le b\u00e9ton ou le fil de fer acqui\u00e8rent la fragilit\u00e9 [&hellip;]<\/p>\n","protected":false},"featured_media":4870,"template":"","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false},"product_brand":[],"product_cat":[528,546],"product_tag":[],"class_list":["post-51178","product","type-product","status-publish","has-post-thumbnail","product_cat-livres","product_cat-non-categorise","first","outofstock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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